An Analysis of the Artistic Features of the Paragraph Films in the Postmodern context

DOI

10.2991/assehr.k.220401.200How to use a DOI?

Keywords

Postmodern Context; Partial Film; Sign Language; The signifier

Abstract

The movie “My Hometown and Me” to be released in 2020 adopts a collective creation method to split and reorganize a movie in segments, forming a novel paragraph-style movie. Such a deconstruction method not only promotes the development of my country’s film industry system, but also promotes the evolution of my country’s film categorization with its extremely post-modern characteristics. Therefore, this article will start from the fact that the paragraph is the film itself and combine the market value and social significance of the film, and deeply analyze the signifier and the signified, and the “synchronicity” in the organically unified theme design model of “individuality and commonality” in the post-modern context. The deconstruction and reorganization, contradiction, and fragmentation of the fragmented time and space where sex and diachronism coexist, the personal symbols and political symbols in the narrative method, and the symbolic and metaphorical characteristics in non-integrated and diversified audiovisual creations. In-depth exploration of its role in the development of China’s film industry system.

Copyright

© 2022 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article distributed under the CC BY-NC 4.0 license.

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TY  - CONF
AU  - Wang Duoyan
PY  - 2022
DA  - 2022/04/08
TI  - An Analysis of the Artistic Features of the Paragraph Films in the Postmodern context
BT  - Proceedings of the 2022 International Conference on Social Sciences and Humanities and Arts (SSHA 2022)
PB  - Atlantis Press
SP  - 1045
EP  - 1049
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220401.200
DO  - 10.2991/assehr.k.220401.200
ID  - Duoyan2022
ER  -