Proceedings of the 2023 2nd International Conference on Public Culture and Social Services (PCSS 2023)

To What End do Online and Offline Buddhist Communities Engage with Visual Practice in China?

Authors
Honglin Chen1, *
1Guangzhou Foreign Language School, Guangzhou, China
*Corresponding author. Email: honglinc187@gmail.com
Corresponding Author
Honglin Chen
Available Online 29 October 2023.
DOI
10.2991/978-2-38476-130-2_19How to use a DOI?
Keywords
Online Buddhism; Offline Buddhism; Chinese Buddhism; Visual Practice; Visual Anthropology; Religious Studies; Cultural Norms
Abstract

The purpose of this article is to discuss the popularity and recognition of Buddhism in China, as well as its characteristics and visual practices, both offline and online. Initially, the essay provides an overview of Buddhism's characteristics to share a brief introduction to the overall features of Chinese Buddhism. Furthermore, the article will demonstrate how popular Chinese Buddhism is to illustrate the recognition of Buddhism in China. Moreover, learning about the various visual techniques that are used in Buddhism can directly help our understanding of the relationship that exists between visual representations, religious traditions, and cultural norms. It is possible to gain an understanding of the purpose of Buddhist communities that engage in visual practices by studying Buddhism in both offline and online Buddhist communities. We also understand the significance of these visual representations for the propagation of Buddhism, as well as how individuals interact and communicate with one another in both physical space and cyberspace. The focus on these issues will enable us to make some progress toward understanding the relationship between expressiveness, religious practice, and cultural norms. The study will take an interdisciplinary approach, drawing from concepts and strategies derived from visual anthropology, religious studies, as well as the field of visual culture studies.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2023 2nd International Conference on Public Culture and Social Services (PCSS 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
29 October 2023
ISBN
10.2991/978-2-38476-130-2_19
ISSN
2352-5398
DOI
10.2991/978-2-38476-130-2_19How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Honglin Chen
PY  - 2023
DA  - 2023/10/29
TI  - To What End do Online and Offline Buddhist Communities Engage with Visual Practice in China?
BT  - Proceedings of the 2023 2nd International Conference on Public Culture and Social Services (PCSS 2023)
PB  - Atlantis Press
SP  - 148
EP  - 154
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-130-2_19
DO  - 10.2991/978-2-38476-130-2_19
ID  - Chen2023
ER  -