Proceedings of the 4th International Conference of Local Wisdom (Incolwis 2022)

The Dukun between Traditionality and Modernity: Element of Magical Realism in Drama di Boven Digul by Kwee Tek Hoay

Authors
Cahyaningrum Dewojati1, *, Rina Zuliana1
1Universitas Gadjah Mada, Bulaksumur, Yogyakarta, 55281, Indonesia
*Corresponding author. Email: cahyanignrum@ugm.ac.id
Corresponding Author
Cahyaningrum Dewojati
Available Online 20 May 2024.
DOI
10.2991/978-2-38476-224-8_20How to use a DOI?
Keywords
Dukun; Local Belief; Magical Realism; Chinese-Indonesian Literature
Abstract

The study of magical realism has become a trend and popular in Indonesia since the 1990s. In its development, magical realism has been understood in various ways, from its position as a genre, narrative strategy, or theoretical framework. This article positions magical realism as a reading strategy to map magical elements in the reality of Chinese-Indonesian literary texts. Irrational cases are often found in the story segments of Chinese-Indonesian literature. This study focuses on the concept of a dukun, supernatural, and local beliefs of the Papuan in Kwee Tek Hoay’s Drama di Boven Digul. The elements of magical realism in the novel have different levels. This novel is not explicitly a magical realism novel. However, the tendency of magical realism is unavoidable because the basis of the setting and production of Chinese-Indonesian literature is traditional Indonesian society. The findings of this study signify that the magical elements in the Drama in Boven Digul are based on the local beliefs of the Papuan, those are dukun, Karwar (related to the spirits of the dead and life after death), spirits, superstition, sacredness, and myths. Behind the historical reality of the 1926 PKI, the Drama in Boven Digul revealed local realities that still exist in the era of modernity.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 4th International Conference of Local Wisdom (Incolwis 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
20 May 2024
ISBN
10.2991/978-2-38476-224-8_20
ISSN
2352-5398
DOI
10.2991/978-2-38476-224-8_20How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Cahyaningrum Dewojati
AU  - Rina Zuliana
PY  - 2024
DA  - 2024/05/20
TI  - The Dukun between Traditionality and Modernity: Element of Magical Realism in Drama di Boven Digul by Kwee Tek Hoay
BT  - Proceedings of the 4th International Conference of Local Wisdom (Incolwis 2022)
PB  - Atlantis Press
SP  - 216
EP  - 232
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-224-8_20
DO  - 10.2991/978-2-38476-224-8_20
ID  - Dewojati2024
ER  -