Proceedings of the International Moving Image Cultures Conference (IMOVICCON 2023)

Reflective Subjectivity in Audiovisual Nonfiction: Empowering Global South Media Makers and Decolonizing Storytelling

Authors
Moses Parlindungan Ompusunggu1, *
1Independent Researcher and Filmmaker, Jakarta, Indonesia
*Corresponding author. Email: sinemakata@gmail.com
Corresponding Author
Moses Parlindungan Ompusunggu
Available Online 5 April 2024.
DOI
10.2991/978-94-6463-390-0_16How to use a DOI?
Keywords
Audiovisual Nonfiction; Reflective Subjectivity; Autoethnography; Essay Film; Autobiographical Documentary; First-Person Documentary
Abstract

This study explores the application of reflective subjectivity, underpinned by autoethnography, in audiovisual nonfiction storytelling as a tool for empowering media creators in the Global South to challenge Western-centric views and decolonize storytelling. Amid a predominantly Western-centric media production and theorizing, this research identifies a gap in understanding how Global South media makers can effectively employ reflective subjectivity to address power dynamics and encourage cultural sensitivity. The primary objective is to identify innovative strategies and best practices that can facilitate the incorporation of these methods into their work through filmic forms that have been termed as, for instance, essay film, autobiographical documentary, or first-person documentary. Utilizing a comprehensive review of relevant literature and in-depth analysis of two case studies involving Global South filmmakers who have integrated reflective subjectivity and autoethnographic practices in storytelling forms the core of the methodology. The findings reveal a number of effective strategies for challenging dominant perspectives and promoting diversity in media representation. The study concludes with recommendations for future research and practices, emphasizing the value of reflective subjectivity as a catalyst for more inclusive and equitable media representation of and in the Global South.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the International Moving Image Cultures Conference (IMOVICCON 2023)
Series
Atlantis Highlights in Social Sciences, Education and Humanities
Publication Date
5 April 2024
ISBN
10.2991/978-94-6463-390-0_16
ISSN
2667-128X
DOI
10.2991/978-94-6463-390-0_16How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Moses Parlindungan Ompusunggu
PY  - 2024
DA  - 2024/04/05
TI  - Reflective Subjectivity in Audiovisual Nonfiction: Empowering Global South Media Makers and Decolonizing Storytelling
BT  - Proceedings of the International Moving Image Cultures Conference (IMOVICCON 2023)
PB  - Atlantis Press
SP  - 155
EP  - 173
SN  - 2667-128X
UR  - https://doi.org/10.2991/978-94-6463-390-0_16
DO  - 10.2991/978-94-6463-390-0_16
ID  - Ompusunggu2024
ER  -