Proceedings of the International Moving Image Cultures Conference (IMOVICCON 2023)

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Touchable Animation: Touching the Sound in Expanded Animation

Authors
Bharoto Yekti1, *, Rangga Winantyo2
1School of Culture and Creative Arts, University of Glasgow, 9 University Avenue, Gilmorehill Halls, Glasgow, G128QQ, UK
2Faculty of Engineering and Informatics, Universitas Multimedia Nusantara, Scientia Boulevard GadingCurug SangerengSerpong, Kab. Tangerang, Banten, 15810, Indonesia
*Corresponding author. Email: b.yekti.1@research.gla.ac.uk
Corresponding Author
Bharoto Yekti
Available Online 5 April 2024.
DOI
10.2991/978-94-6463-390-0_5How to use a DOI?
Keywords
Expanded Animation; Sound; Touch; Kinetic
Abstract

Motion, visuals, and sound constitute the primary attractions in the realms of film and animation. Experimental artists leverage abstract imagery and sound in their animations to convey their emotions. However, the motion depicted on a two-dimensional screen limits the full embodiment of the viewer’s experience. As a result, expanded animation and kinetic elements have emerged as alternative avenues for experimental artists aiming to extend the auditory and visual dimensions beyond the confines of the 2D screen. This article delves into the concept of corporeal experience as it relates to sound within the context of expanded animation, employing a kinetic and haptic approach. The research’s primary objective is to explore the intricate relationship between sound, touch, and visuals in kinetic-based expanded animation. This exploration is informed by a review of existing literature, artistic analyses, and the author’s own studio practice. This paper represents a significant step in an ongoing investigation into the development of methodologies for incorporating tactile elements into expanded animation projects.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the International Moving Image Cultures Conference (IMOVICCON 2023)
Series
Atlantis Highlights in Social Sciences, Education and Humanities
Publication Date
5 April 2024
ISBN
978-94-6463-390-0
ISSN
2667-128X
DOI
10.2991/978-94-6463-390-0_5How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Bharoto Yekti
AU  - Rangga Winantyo
PY  - 2024
DA  - 2024/04/05
TI  - Touchable Animation: Touching the Sound in Expanded Animation
BT  - Proceedings of the International Moving Image Cultures Conference (IMOVICCON 2023)
PB  - Atlantis Press
SP  - 38
EP  - 50
SN  - 2667-128X
UR  - https://doi.org/10.2991/978-94-6463-390-0_5
DO  - 10.2991/978-94-6463-390-0_5
ID  - Yekti2024
ER  -