Proceedings of the 2024 4th International Conference on Public Art and Human Development (ICPAHD 2024)

Echoes of Fate: The Cultural Allegory of the Tusi Area

Authors
Tiancong Shi1, *, Haiyang Tan2
1The College of Literature and Journalism, Sichuan University, Chengdu, 610207, China
2The College of Literature and Journalism, Sichuan University, Chengdu, 610207, China
*Corresponding author. Email: 2721375418@qq.com
Corresponding Author
Tiancong Shi
Available Online 31 March 2025.
DOI
10.2991/978-2-38476-378-8_31How to use a DOI?
Keywords
Cultural Allegory; Masculinity; Han-Tibetan Identity; A Lai; Red Poppies
Abstract

This study takes the novel Red Poppies by Tibetan writer A Lai as the research object to explore the cultural allegory and masculinity embodied in it. The research starts with the influence of A Lai’s dual cultural identity on his writing perspective, and through the analysis of the main male characters in the text, studies the specific manifestations of the integration of Han and Tibetan cultures. Specifically, this paper analyzes the characters and fates of the protagonists “I” and “my brother”, reveals the different masculinities in Han and Tibetan culture - the wisdom and benevolence masculinity in Han culture, and the bravery and fighting masculinity in Tibetan culture, and discusses how these gender roles become the carriers of cultural allegory. The paper effectively analyzes the manifestations of Han and Tibetan culture in the power struggle, providing a new perspective for understanding the construction of cultural identity in Chinese literature. Hence, it has important theoretical and practical significance in exploring cultural identity, ethnic relations, and literary expression.

Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2024 4th International Conference on Public Art and Human Development (ICPAHD 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 March 2025
ISBN
978-2-38476-378-8
ISSN
2352-5398
DOI
10.2991/978-2-38476-378-8_31How to use a DOI?
Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Tiancong Shi
AU  - Haiyang Tan
PY  - 2025
DA  - 2025/03/31
TI  - Echoes of Fate: The Cultural Allegory of the Tusi Area
BT  - Proceedings of the 2024 4th International Conference on Public Art and Human Development (ICPAHD 2024)
PB  - Atlantis Press
SP  - 266
EP  - 272
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-378-8_31
DO  - 10.2991/978-2-38476-378-8_31
ID  - Shi2025
ER  -