Proceedings of the 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022)

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Image Symbol Interpretation of Tibetan Film “Balloon”

Authors
Xia Tong1, a, Gao Fengyan2, b*
1College of Media Technology, Liaocheng University, Liaocheng, Shandong, China
2College of Media Technology, Liaocheng University, Liaocheng, Shandong, China
b*

Communication mailbox: gaofengyan@lcu.edu.cn

Corresponding Author
Gao Fengyan
Available Online 14 July 2022.
DOI
10.2991/assehr.k.220706.060How to use a DOI?
Keywords
semiotics; Tibetan films; “Balloon”; Tibetan culture
Abstract

From the perspective of semiotics, the images in the movie text all have certain referential significance. Individual symbols and the arrangement and combination between symbols together constitute a complete movie text. Applying semiotics theory to analyze the movie text is helpful to interpret the deep meaning of the movie. Based on the basic principles of semiotics, this paper interprets the Tibetan film Balloon. By analyzing the expression of Tibetan culture by image symbols in the film, the interpretation of theme implication by surrealist images and the symbol reference and symbol matrix pattern in the meaning construction of this film text, this paper constructs a cultural picture of Tibetan characters and their survival dilemma drawn by director Pema Tseden.

Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article distributed under the CC BY-NC 4.0 license.

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Volume Title
Proceedings of the 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
14 July 2022
ISBN
10.2991/assehr.k.220706.060
ISSN
2352-5398
DOI
10.2991/assehr.k.220706.060How to use a DOI?
Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article distributed under the CC BY-NC 4.0 license.

Cite this article

risenwbib
TY  - CONF
AU  - Xia Tong
AU  - Gao Fengyan
PY  - 2022
DA  - 2022/07/14
TI  - Image Symbol Interpretation of Tibetan Film “Balloon”
BT  - Proceedings of the 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022)
PB  - Atlantis Press
SP  - 297
EP  - 300
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220706.060
DO  - 10.2991/assehr.k.220706.060
ID  - Tong2022
ER  -