Proceedings of the 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020)

The Derivative Design Research of Artistic Conception in New Chinese Style—Taking Ceramic Design as an Example

Authors
Yang peiyu, Li min
Corresponding Author
Li min
Available Online 9 July 2020.
DOI
10.2991/assehr.k.200709.045How to use a DOI?
Keywords
new Chinese style, artistic conception, Ceramic design
Abstract

Under the increasingly fierce competition of contemporary world culture, the new Chinese style has become an important factor in design. It has entered various industries such as architectural design, interior design and product design. Its style not only creates a unique artistic conception, but also awakens people’s aesthetic and traditional elements of traditional culture are being recreated at the moment. The use of ceramics has a long history in China. It has not only become an instrument widely used by the society and a tribute to the royal family, but also an important product exported by the ancient Chinese economy and an important commodity on the Maritime Silk Road. China has become a prestigious ceramic exported country. Ceramics have not only become synonymous with China, but have also become a bond for maintaining descendants of the Chinese nation. In the era of contemporary and multi-popular culture, the new Chinese style has refined, combined and created traditional design elements on the basis of fully understanding and inheriting the traditional Chinese excellent culture, and created a new Chinese design style and the unique artistic conception is one of the important expressions of Chinese culture. Nowadays, new Chinese ceramic products extract core elements from traditional poetry, calligraphy, painting, folk music, folk dance, etc., and combined with the Chinese classical aesthetic such as Taoism’s “Unity of Man and Nature”, Confucian “Golden Mean” “Natural”, Zen “Enlightenment” and so on, which have created a new era of design style, continued China’s excellent culture, and reflected in it the blending and collision of Chinese traditional culture and contemporary culture, making Chinese culture last forever.

Copyright
© 2020, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
9 July 2020
ISBN
10.2991/assehr.k.200709.045
ISSN
2352-5398
DOI
10.2991/assehr.k.200709.045How to use a DOI?
Copyright
© 2020, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

TY  - CONF
AU  - Yang peiyu
AU  - Li min
PY  - 2020
DA  - 2020/07/09
TI  - The Derivative Design Research of Artistic Conception in New Chinese Style—Taking Ceramic Design as an Example
BT  - Proceedings of the 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020)
PB  - Atlantis Press
SP  - 188
EP  - 192
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200709.045
DO  - 10.2991/assehr.k.200709.045
ID  - peiyu2020
ER  -