Development and Research of Chinese Folk Art Forms - Inheritance, Popularization and Development of “Ningxia Seated Singing”
Jianguo Wang, Haiqin Wang
Available Online March 2015.
- https://doi.org/10.2991/icetem-15.2015.50How to use a DOI?
- local folk art forms, Ningxia seated singing, inheritance, popularization and development
- “Ningxia seated singing” is served as a beautiful flower in the artistic treasure house of Chinese folk music. With characteristic forms of artistic presentation, “Ningxia seated singing” is rooted in “southern frontier” – beautiful Ningxia. It is also renowned the Chinese operatic circle with the feature of holding “splendor” and picking “peony”. “Ningxia seated singing” created a pioneer for Chinese folk art forms at local regions of Ningxia to move towards China. Just because of this excellent local folk art form, however, its survival and development is also confronted with serious impacts and challenges, the same as Chinese folk art forms in other places. Therefore, how to realize the inheritance, popularization and development of “Ningxia seated singing” are an impending practical issue as well as an innovative issue.
- Open Access
- This is an open access article distributed under the CC BY-NC license.
Cite this article
TY - CONF AU - Jianguo Wang AU - Haiqin Wang PY - 2015/03 DA - 2015/03 TI - Development and Research of Chinese Folk Art Forms - Inheritance, Popularization and Development of “Ningxia Seated Singing” BT - 2015 International Conference on Education Technology and Economic Management PB - Atlantis Press SP - 329 EP - 334 SN - 2352-5398 UR - https://doi.org/10.2991/icetem-15.2015.50 DO - https://doi.org/10.2991/icetem-15.2015.50 ID - Wang2015/03 ER -