Proceedings of the 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024)

The Poetics of Threads and Space: Boundaries and Belonging in the Art of Do Ho Suh and Chiharu Shiota

Authors
Leyao Zhang1, *
1Tianjin Academy of Fine Arts, Tianwei Road, Hebei District, Tianjin, China, 300141
*Corresponding author. Email: 2358475637@qq.com
Corresponding Author
Leyao Zhang
Available Online 31 December 2024.
DOI
10.2991/978-2-38476-344-3_18How to use a DOI?
Keywords
Do Ho Suh; Shiota Chiharu; Personal emotion; Space; Boundary; Memory; Social problems; Artistic analysis
Abstract

An ancient Chinese saying goes, “Far yet not estranged, near yet not rude[1],” which means that even if people are physically distant, they can still maintain a close psychological and emotional bond, showing concern and understanding. Conversely, even if people are in close relationships, they do not lose the necessary respect and propriety, avoiding overfamiliarity and impertinence. The saying often describes the ideal state of interpersonal relationships, advising people to maintain an appropriate balance and distance in their interactions. With the rapid changes brought about by technological advancements, contemporary individuals, compared to the ancients’ understanding of relational balance, now emphasize the concept of personal boundaries based on absolute freedom. This often involves setting overly strict or extreme boundaries between oneself and the outside world, which can lead to excessive psychological defenses and alienation between people. While the conveniences brought by technological and economic developments have reduced the cost of communication, they have also fostered more psychological isolation, breaking the balance between a sense of boundaries and belonging. So, what causes this phenomenon?

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 December 2024
ISBN
978-2-38476-344-3
ISSN
2352-5398
DOI
10.2991/978-2-38476-344-3_18How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Leyao Zhang
PY  - 2024
DA  - 2024/12/31
TI  - The Poetics of Threads and Space: Boundaries and Belonging in the Art of Do Ho Suh and Chiharu Shiota
BT  - Proceedings of the 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024)
PB  - Atlantis Press
SP  - 149
EP  - 157
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-344-3_18
DO  - 10.2991/978-2-38476-344-3_18
ID  - Zhang2024
ER  -