Proceedings of the 5th Bandung Creative Movement International Conference on Creative Industries 2018 (5th BCM 2018)

The Concept of Form in The Therianthropic Embodiment of Garuda Sculpture and Relief in Sukuh Temple

Authors
Ranang Sugihartono, Dharsono, Guntur
Corresponding Author
Ranang Sugihartono
Available Online July 2019.
Keywords
Garuda, therianthropic, concept, and Sukuh
Abstract

Garuda's statues and reliefs at Sukuh Temple have different embodiment from other temples in Indonesia, because their shape are therianthropic. That therianthropic embodiment is interesting to be studied about its conception or its meaning, with the formulation of the problem; how is the art concept in the therianthropic embodiment of the Garuda statue and relief in Sukuh Temple. The study showed that Garuda's sculptures and reliefs reflected the story of Garuda's hero in the story of Garudeya from Adiparwa Book. The figure of Garuda whose supernatural powers exceed the gods, its light is like sunlight, and the king of all birds is depicted in the form of sculptures and reliefs of half-human animals, or human-loaded animals (therianthropic). The therianthropic embodiment contains the meaning or concept of Gagah, Perkasa, Utama, and Sakti (GPUS), namely 1) Gagah (Dashing), the embodiment of a character that reflects a high, sturdy, perfect, and charismatic physique; 2) Perkasa (Tough), the embodiment of a character that reflects extraordinary physical strength and is able to conquer all heavy challenges; 3) Utama (Primary), the embodiment of a character that reflects the importance of the figure of Garuda in the story, the main character, the super figure, and has a heroic spirit, although it is the bird; and 4) Sakti (Supernatural power), the embodiment of character that reflects extraordinary and incomparable powers among all the characters in the story. This GPUS concept is interesting to be used as a reference in the character creation (character design) in animated films.

Copyright
© 2019, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 5th Bandung Creative Movement International Conference on Creative Industries 2018 (5th BCM 2018)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
July 2019
ISBN
null
ISSN
2352-5398
Copyright
© 2019, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

TY  - CONF
AU  - Ranang Sugihartono
AU  - Dharsono
AU  - Guntur
PY  - 2019/07
DA  - 2019/07
TI  - The Concept of Form in The Therianthropic Embodiment of Garuda Sculpture and Relief in Sukuh Temple
BT  - Proceedings of the 5th Bandung Creative Movement International Conference on Creative Industries 2018 (5th BCM 2018)
PB  - Atlantis Press
SP  - 410
EP  - 417
SN  - 2352-5398
UR  - https://www.atlantis-press.com/article/125910963
ID  - Sugihartono2019/07
ER  -