Proceedings of the 2022 International Conference on Social Sciences and Humanities and Arts (SSHA 2022)

Analysis of Monet’s “Water Lilies” Based on E.H.Gombrich’s Theory of Iconology

Authors
YuLin Wang1, a
1Department of Art and Design, Beijing University of Technology, Chaoyang District, Beijing, China
Corresponding Author
YuLin Wang
Available Online 8 April 2022.
DOI
10.2991/assehr.k.220401.006How to use a DOI?
Keywords
E.H.Gombrich; iconology theory; Claude Monet; “Water Lilies”
Abstract

E.H.Gombrich is an important successor and critic of iconology theory. He not only affirmed Wolfgang K.H.Panofsky’s iconology theory, but also creatively proposed his own theory. The article is based on E.H.Gombrich’s iconology theory. It analyzes the impressionist painter Claude Monet’s “Water Lilies” theoretically, and understands the historical situation and ideological meaning of Monet when he created “Water Lilies”.

Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article distributed under the CC BY-NC 4.0 license.

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Volume Title
Proceedings of the 2022 International Conference on Social Sciences and Humanities and Arts (SSHA 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
8 April 2022
ISBN
978-94-6239-560-2
ISSN
2352-5398
DOI
10.2991/assehr.k.220401.006How to use a DOI?
Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article distributed under the CC BY-NC 4.0 license.

Cite this article

TY  - CONF
AU  - YuLin Wang
PY  - 2022
DA  - 2022/04/08
TI  - Analysis of Monet’s “Water Lilies” Based on E.H.Gombrich’s Theory of Iconology
BT  - Proceedings of the 2022 International Conference on Social Sciences and Humanities and Arts (SSHA 2022)
PB  - Atlantis Press
SP  - 30
EP  - 33
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220401.006
DO  - 10.2991/assehr.k.220401.006
ID  - Wang2022
ER  -