Reflection and Comparison of the Eastern and Western Aesthetics of Photography Composition

DOI

10.2991/saeme-17.2017.2How to use a DOI?

Keywords

Sino-western culture; aesthetics; painting.

Abstract

The purpose of this paper is to study the different skills of photography composition by comparing the sino-western aesthetics. On the basis of sino-western culture, sino- western classical painting is taken as the comparative object to study the differences between all kinds of aesthetics. The method is to design a question consciousness as the research the aesthetic difference. Therefore, the five aspects esthetics, such as the sino-western classical painting esthetic characteristic, the spatial consciousness, the drawing subject matter, the color idea and the development road are compared and researched. After the research, different cultural connotations and aesthetic characters of sino-western classical paintings are revealed, and an attempt is made to explore the developing direction of contemporary sino-western painting. The contrast result shows that there are great differences between sino-western aesthetics thought. Based on the above finding, it is concluded that it is the best interpretation to respect the culture difference and learn sino-western aesthetics modestly.

Copyright

© 2017, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Bochen Zhang
PY  - 2017/07
DA  - 2017/07
TI  - Reflection and Comparison of the Eastern and Western Aesthetics of Photography Composition
BT  - Proceedings of the 2017 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2017)
PB  - Atlantis Press
SP  - 7
EP  - 11
SN  - 2352-5398
UR  - https://doi.org/10.2991/saeme-17.2017.2
DO  - 10.2991/saeme-17.2017.2
ID  - Zhang2017/07
ER  -