A Brief Analysis of Why Chinese Traditional Musical Instruments “ChuQuan” in “The Coming One: Super Band”

DOI

10.2991/assehr.k.211020.162How to use a DOI?

Keywords

Chinese traditional national musical instruments, Cultural self-confidence, Target audience, “ChuQuan”, Subculture, Z Generation

Abstract

With the introduction of “cultural self-confidence”, an increasing number of traditional cultures reappear in the public view. Thus, increasingly, Chinese reality TV shows are not only the main sources of entertainment but also play a vital role in promoting the traditional culture. effect. In this context, in 2021, the Orchestra of Tomorrow’s Sons recruited not only a group of western musicians but also three Chinese traditional musical instruments players, namely, the Mongolian Morin khuur player Haramuji, the Kazak’s Dombra Samuhar and Yan Yongqiang, Han Suona Horn player. Therefore, amid the general background of the Covid pandemic, Chinese official cultural policies, current social and cultural trends, and the high-quality promotion and operation of the Orchestra of Tomorrow’s Season, traditional Chinese music successfully broke “ChuQuan” as a “niche” cultural symbol. In this article, we go into more detail on these various reasons why folk music successfully “ChuQuan” on The Coming One: Super Band’s platform.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Wang Xinyi
PY  - 2021
DA  - 2021/10/21
TI  - A Brief Analysis of Why Chinese Traditional Musical Instruments “ChuQuan” in “The Coming One: Super Band”
BT  - Proceedings of the 2021 International Conference on Public Relations and Social Sciences (ICPRSS 2021)
PB  - Atlantis Press
SP  - 253
EP  - 256
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.211020.162
DO  - 10.2991/assehr.k.211020.162
ID  - Xinyi2021
ER  -