Proceedings of the International Conference on Communication and Applied Technologies 2024 (ICOMTA 2024)

Production and Post-production of Football Channels on YouTube: An Interview with Spanish-speaking Youtubers from Argentina, Colombia, Spain, Mexico and Peru

Authors
Renzo Morante1, Daniel Barredo2, Gerardo Karbaum3, *, Andrea de Jesús Oré4
1Universidad Peruana de Ciencias Aplicadas, Lima, Perú
2Universidad de Málaga, Málaga, Spain
3Universidad Peruana de Ciencias Aplicadas, Lima, Perú
4Universidad Privada del Norte, Lima, Perú
*Corresponding author. Email: gkarbaump@gmail.com
Corresponding Author
Gerardo Karbaum
Available Online 17 December 2024.
DOI
10.2991/978-94-6463-596-6_30How to use a DOI?
Keywords
YouTube; football youtubers; recording; post-production
Abstract

YouTube has become the great meta-media where a diversity of content creators with different levels of audiovisual quality converges. Soccer YouTubers are among the most viewed within the sports category, which is why this research aims to analyze the stages audiovisual production and post-production of football broadcasting channels on YouTube. To do this, a qualitative approach was applied through semi-structured interviews with 10 soccer YouTubers from various Latin American countries. The results showed that, both in production and post-production, they began their projects with basic devices and knowledge, but they have progressively developed professional skills to be able to remain current on the platform, and they also adapt their production processes to the type of publication they want. They will do whether the content is recorded or live. In conclusion, it is established that they have developed a progressive professionalization that involves the development of communication skills that imply the optimization of their verbal and non-verbal communication, the hiring of collaborators and the acquisition of better audiovisual equipment, which brings them closer to the level broadcasting production.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the International Conference on Communication and Applied Technologies 2024 (ICOMTA 2024)
Series
Atlantis Highlights in Social Sciences, Education and Humanities
Publication Date
17 December 2024
ISBN
978-94-6463-596-6
ISSN
2667-128X
DOI
10.2991/978-94-6463-596-6_30How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Renzo Morante
AU  - Daniel Barredo
AU  - Gerardo Karbaum
AU  - Andrea de Jesús Oré
PY  - 2024
DA  - 2024/12/17
TI  - Production and Post-production of Football Channels on YouTube: An Interview with Spanish-speaking Youtubers from Argentina, Colombia, Spain, Mexico and Peru
BT  - Proceedings of the International Conference on Communication and Applied Technologies 2024 (ICOMTA 2024)
PB  - Atlantis Press
SP  - 336
EP  - 347
SN  - 2667-128X
UR  - https://doi.org/10.2991/978-94-6463-596-6_30
DO  - 10.2991/978-94-6463-596-6_30
ID  - Morante2024
ER  -