Hidden Lens-Take Documentaries as an Example

DOI

10.2991/978-2-494069-97-8_150How to use a DOI?

Keywords

Documentary; Media fusion; Privacy; Justice; Media Ethics

Abstract

Covert shooting can maximize or even zero distance to put the most real things on the screen, this authenticity is the best to meet the audience's psychological expectations, and thus make the audience get aesthetic pleasure. In the process of covert shooting, special attention should be paid to the shaping of formal beauty, so as to achieve the purpose of highlighting the artistic effect and resonating with the audience, so as to get the attention of the audience and relevant departments, and ultimately safeguard the legitimate interests of the public and promote the progress of society. In the case of diversified production and communication subjects, diversified communication channels, networked socialization, and diversified and enriched content, the images of documentaries involve the legality of collection, the compliance of production, and the rationality of communication. Whether it is organized shooting, hidden shooting, dating shooting, or post-editing, documentary images should follow the principles of autonomy and respect for the interests of the photographed person and the public interest in creative practice,. Through extensive information, reference to relevant literature, this article will explore the aesthetics of documentary filming as an example and the controversy that exists.

Copyright

© 2023 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Yanbin Lei
PY  - 2023
DA  - 2023/02/13
TI  - Hidden Lens-Take Documentaries as an Example
BT  - Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022)
PB  - Atlantis Press
SP  - 1176
EP  - 1182
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-494069-97-8_150
DO  - 10.2991/978-2-494069-97-8_150
ID  - Lei2023
ER  -