A Research on Chinese Painting and Calligraphy Exhibitions

DOI

10.2991/978-2-494069-97-8_182How to use a DOI?

Keywords

Chinese painting and calligraphy; exhibitions; Curatorial process; immersive exhibition

Abstract

In response to the increasingly hot Chinese painting and calligraphy exhibitions, this study explores its development, the common issues and provides some insights. Nowadays, immersive exhibition has become a popular way for audience to appreciate artworks, which uses technology to give audience a unique experience. Therefore, the study suggests that curatorial process should keep with times, that is, diversifying exhibitions forms can satisfy the needs of audience and promote the development of Chinese painting and calligraphy cultures.

Copyright

© 2023 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Xuefei Zhang
PY  - 2023
DA  - 2023/02/13
TI  - A Research on Chinese Painting and Calligraphy Exhibitions
BT  - Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022)
PB  - Atlantis Press
SP  - 1416
EP  - 1424
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-494069-97-8_182
DO  - 10.2991/978-2-494069-97-8_182
ID  - Zhang2023
ER  -