The Application of Maximalism in Film Production

DOI

10.2991/assehr.k.211120.019How to use a DOI?

Keywords

Maximalism; film; movies; application-film; television; film and television application; Hayao Miyazaki; Ninagawa Mika

Abstract

Maximalism is an artistic expression based on the Italian “Baroque” style, which constitutes an extremely prosperous artistic effect through the application and superposition of natural objects. Since the 20th century, maximalism doctrine has been widely used in artistic creation, such as painting, design, and photography. Film and television, as new art, have also gradually poured into maximalism elements. This paper studies Hayao Miyazaki’s “Howl’s Moving Castle”, “The Borrowed Arrietty” and Ninagawa Mika’s “No Longer Human: Dayzai Osamu and Three Women”, By studying the above works, the author obtains the maximalism of pattern, color, and grain in film and television.

Copyright

© 2021 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article under the CC BY-NC license.

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TY  - CONF
AU  - Jiaqi Xia
PY  - 2021
DA  - 2021/11/29
TI  - The Application of Maximalism in Film Production
BT  - Proceedings of the 2021 3rd International Conference on Literature, Art and Human Development (ICLAHD 2021)
PB  - Atlantis Press
SP  - 96
EP  - 99
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.211120.019
DO  - 10.2991/assehr.k.211120.019
ID  - Xia2021
ER  -