Geographical Mechanisms of Regional Differentiation and Evolution of Pronunciation and Singing Tune Under the New Mobility Paradigm——A Case Study of Ten Local Operas in China

Qin Liu; Kai Xu; Xiaojun Yang

doi:10.2991/assehr.k.211220.409

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Geographical Mechanisms of Regional Differentiation and Evolution of Pronunciation and Singing Tune Under the New Mobility Paradigm——A Case Study of Ten Local Operas in China

Authors

Qin Liu¹, Kai Xu¹, Xiaojun Yang¹^{, 2}^{, 3}^{, *}

¹Xi’an International Studies University, Tourism of College and Institute of Human Geography, Xi’an, Shaanxi Province,710128, China

²Shaanxi Tourism Research Institute, Xi’an, Shaanxi province, 710128, China

³Innovative Team of Urban-Rural Space Integration Development;

^*Corresponding author’s e-mail: yangxiaojun@xisu.edu.cn

Corresponding Author

Xiaojun Yang

Available Online 24 December 2021.

DOI: 10.2991/assehr.k.211220.409 How to use a DOI?
Keywords: mobility; top 10 local operas; pronunciation; singing tune; geography; mechanisms
Abstract: Opera is a traditional culture integrating mobility and immobility. Based on the perspective of new flow paradigm, this paper adopts the spatial analysis method to analyse the regional distribution characteristics and formation mechanism of ten operas. The research shows that: (1) Based on the Qinling Mountains-Huaihe River line, Henan Opera, Jin Opera and Hebei clapper Opera are distributed in circular layers with the origin as the center, Shaanxi Opera is mainly distributed in the west, and Ping opera is distributed in a double-center structure, forming a distribution structure with dialects as the link. The southern operas are affected by the terrain. Huangmei Opera, Cantonese Opera and Sichuan Opera are distributed in circles, while Shaoxing Opera and Kun Opera are distributed in points. (2) Although the northern operas originated earlier, the stability of singing is poor and the cultural region is shrinking seriously. The southern operas originated late, but influenced by the terrain and have obvious internal circulation, the singing is more stable and the space contraction is less. (3) From the perspective of the new mobility paradigm, a spatial mobility system with economy as the pulling force, climate and terrain as the pushing force, population flow, daily life as the media, and policy protection dialect features should be formed.
Copyright: © 2021 The Authors. Published by Atlantis Press SARL.
Open Access: This is an open access article under the CC BY-NC license.

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Volume Title: Proceedings of the 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021)
Series: Advances in Social Science, Education and Humanities Research
Publication Date: 24 December 2021
ISBN: 10.2991/assehr.k.211220.409
ISSN: 2352-5398
DOI: 10.2991/assehr.k.211220.409 How to use a DOI?
Open Access: This is an open access article under the CC BY-NC license.

Cite this article

ris enw bib

TY  - CONF
AU  - Qin Liu
AU  - Kai Xu
AU  - Xiaojun Yang
PY  - 2021
DA  - 2021/12/24
TI  - Geographical Mechanisms of Regional Differentiation and Evolution of Pronunciation and Singing Tune Under the New Mobility Paradigm——A Case Study of Ten Local Operas in China
BT  - Proceedings of the 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021)
PB  - Atlantis Press
SP  - 2364
EP  - 2372
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.211220.409
DO  - 10.2991/assehr.k.211220.409
ID  - Liu2021
ER  -

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