"Stylization" and "Spirit Presentation through Appearance"—on Portrait Techniques of Ming and Qing Dynasties

DOI

10.2991/icesame-17.2017.271How to use a DOI?

Keywords

stylization, Present spirit through appearance, Portrait

Abstract

Chinese portrait has accumulated rich creation experiences in the long-term evolution process and forms abundant and complete presentation models. The ancients summed up their common laws to maximize the performance of the presentation language. The portraits ushered in the most brilliant generation in the Ming and Qing Dynasties. The stylization functions of portraiture technology are analyzed in the paper to complete the analysis of "appearance" and "spirit", "common features" and "personality" to realize the roles change "stage" of the reality and the ideal image. It also explores more feasibilities for the development of traditional painting Chinese.

Copyright

© 2017, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Tianyu Liu
PY  - 2017/06
DA  - 2017/06
TI  - "Stylization" and "Spirit Presentation through Appearance"—on Portrait Techniques of Ming and Qing Dynasties
BT  - Proceedings of the 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017)
PB  - Atlantis Press
SP  - 1248
EP  - 1251
SN  - 2352-5398
UR  - https://doi.org/10.2991/icesame-17.2017.271
DO  - 10.2991/icesame-17.2017.271
ID  - Liu2017/06
ER  -