Proceedings of the 2022 4th International Conference on Economic Management and Cultural Industry (ICEMCI 2022)

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Research on the Vicious Phenomenon of Chinese Entertainment Circle Culture on Weibo Platform

Authors
Siqi Li1, Yitong Ma2, *
1School of Journalism and Communication, Shanghai university, Shanghai, Shanghai, China
2College of liberal arts & sciences, University of Connecticut, Storrs, CT06269, United States
*Corresponding author. Email: yitong.ma@uconn.edu
Corresponding Author
Yitong Ma
Available Online 27 December 2022.
DOI
10.2991/978-94-6463-098-5_225How to use a DOI?
Keywords
Entertainment; Culture; Weibo
Abstract

The vicious development of capital for the entertainment of the “Fanquan” has become a major trend at present and has formed a vicious cycle. Alt-hough many articles have explained and studied some certain aspects of the vicious cycle, the research on the cycle itself is still in the blank stage. Therefore, by observing and comparing the special cases of Korean entertainment and analysing the behavior of their fan groups on the Weibo plat-form, this paper studies the phenomenon of capital intervention on the vicious cycle of the “Fanquan” on the Weibo platform. The study found that the intervention of capital led to the successful entry of artists with insufficient strength into the entertainment industry and gained a lot of attention, while the lack of artist strength caused the followers to argue endlessly, and the debate itself would become an asset to earn benefits for the capitalists. These interests will once again assist the capital to have an impact on the artists. This series of behaviors has led to the continuous emergence of in-sufficient traffic stars in the Chinese entertainment industry. The appearance of these people has seriously affected the environment of the Chinese entertainment industry and seriously reduced the quality of Chinese entertain-ment works. In response to this vicious circle, all sectors of society should work together to make changes to promote the high-quality development of China's entertainment industry.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2022 4th International Conference on Economic Management and Cultural Industry (ICEMCI 2022)
Series
Advances in Economics, Business and Management Research
Publication Date
27 December 2022
ISBN
10.2991/978-94-6463-098-5_225
ISSN
2352-5428
DOI
10.2991/978-94-6463-098-5_225How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Siqi Li
AU  - Yitong Ma
PY  - 2022
DA  - 2022/12/27
TI  - Research on the Vicious Phenomenon of Chinese Entertainment Circle Culture on Weibo Platform
BT  - Proceedings of the 2022 4th International Conference on Economic Management and Cultural Industry (ICEMCI 2022)
PB  - Atlantis Press
SP  - 1998
EP  - 2005
SN  - 2352-5428
UR  - https://doi.org/10.2991/978-94-6463-098-5_225
DO  - 10.2991/978-94-6463-098-5_225
ID  - Li2022
ER  -