The Theory of Aesthetic Characteristics of Chinese Court Dance

DOI

10.2991/icemaess-15.2016.1How to use a DOI?

Keywords

The Palace Dance; Aesthetic Characteristics; To Fly through God; Feathers in the Wind; The Actual Interactio; Sleeve To Spring Willow

Abstract

In the ancient Chinese art, poetry, music and dance, and then gradually produces the differentiation, the formation of the distinctive arts, and the palace dance with its reigns for the lofty status and economic power, focused mainly on folk dance dance in all walks of life essence for its political and hedonic service, at the same time, the court of the professional dance and relying on its excellent artistic talents to create high quality dance. After a long period of precipitation, the palace dance naturally become the symbol of Chinese civilization for thousands of years dance, its content is extensive, forms of diversity, characteristics of bright, reveals the palace dance for us to fly through god, ethereal and rhythm, feathered from wind, lightsome and detachment, the actual interactions - time and space and sleeve, sleeve spring willow - dance count four aesthetic characteristics.

Copyright

© 2016, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Yanbin Ding
PY  - 2015/12
DA  - 2015/12
TI  - The Theory of Aesthetic Characteristics of Chinese Court Dance
BT  - Proceedings of the 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science
PB  - Atlantis Press
SP  - 1
EP  - 4
SN  - 2352-5398
UR  - https://doi.org/10.2991/icemaess-15.2016.1
DO  - 10.2991/icemaess-15.2016.1
ID  - Ding2015/12
ER  -