Hong Kong Films in the Social Evolution after 1997

DOI

10.2991/icassee-17.2018.68How to use a DOI?

Keywords

Hong Kong films; co-productions; film industry

Abstract

Over the past 20 years from 1997 to 2007, based on the choice of history and the development of mutually beneficial mutual needs, the mainland and Hong Kong film cooperation has experienced a complicated change of process, on the base of this echo the mainland film of Reform and Opening-up policy. Hong Kong's society has undergone great changes, Hong Kong's complex cultural identity has fluctuated during the period, and Hong Kong's self-identity has been reconstructed. In the post-colonial era, Hong Kong sought its cultural home in the form of film. At present, the mainland and Hong Kong co-productions have developed into the mainstream products of the two markets, and have basically generated the unique and effective core competitiveness of the industry. It has become a remarkable achievement in the development of film development and foreign culture communication since 1997.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Jing Yi
AU  - Guannan E
PY  - 2017/12
DA  - 2017/12
TI  - Hong Kong Films in the Social Evolution after 1997
BT  - Proceedings of the 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017)
PB  - Atlantis Press
SP  - 302
EP  - 305
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-17.2018.68
DO  - 10.2991/icassee-17.2018.68
ID  - Yi2017/12
ER  -