The Aesthetic Features of the TV Version of "The First Circle". TV Adaptation by A. I. Solzhenitsyn, Director - Gleb Panfilov, 2006

DOI

10.2991/icassee-17.2018.43How to use a DOI?

Keywords

Alexander Solzhenitsyn; Soviet art; Don Quixote; screen culture; classical traditions; Renaissance individualism; theatre; Iron Curtain

Abstract

The following article addresses the Russian TV version of "The First Circle". The author analyzes the style of Gleb Panfilov's directing and the principle images and motifs of the series. The study demonstrates that the screen reality maintains the correlation of the Solzhenitsyn novel's aesthetics with the cultural history of Western Europe, in particular, with some types of characters of drama and romance, some space compositions of theatre of different epochs.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Ekaterina Salnikova
PY  - 2017/12
DA  - 2017/12
TI  - The Aesthetic Features of the TV Version of "The First Circle". TV Adaptation by A. I. Solzhenitsyn, Director - Gleb Panfilov, 2006
BT  - Proceedings of the 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017)
PB  - Atlantis Press
SP  - 198
EP  - 202
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-17.2018.43
DO  - 10.2991/icassee-17.2018.43
ID  - Salnikova2017/12
ER  -