The Ecological Perspective of Chinese Eco-film

DOI

10.2991/assehr.k.210106.023How to use a DOI?

Keywords

Chinese eco-film, unity of man and nature, reverence for life, home consciousness

Abstract

This paper takes Chinese eco-film as the research text, from the cultural psychology of “unity of man and nature”, the attitude of “reverence for life”, and the ecological appeal of “home consciousness”, to observe Chinese eco-film from these three ecological perspectives. As an art style to reflect the real life, the film visualizes the ecological problems in real life into images, and transforms the conceptualized and abstract “relationship between man and nature” in human thinking into clear and perceptible life scenes. Chinese eco-film not only re-examines the relationship between man and nature from the ecological level, it also goes deep into the level of individuation to discuss the multi-faceted and complex nature of human nature, confronting people’s survival and spiritual predicaments, and expressing human beings reflection and awareness in internal and external troubles.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Xiaolu Wang
PY  - 2021
DA  - 2021/01/06
TI  - The Ecological Perspective of Chinese Eco-film
BT  - Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)
PB  - Atlantis Press
SP  - 114
EP  - 119
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210106.023
DO  - 10.2991/assehr.k.210106.023
ID  - Wang2021
ER  -