Observing the Photorealism Painting Through Zheng Xie’s “Bamboo Syllogism”

DOI

10.2991/assehr.k.210106.031How to use a DOI?

Keywords

the bamboo in the eye, the bamboo in the chest, the bamboo in the hand, photorealism painting

Abstract

Modern art has developed for nearly a hundred years, and the art of painting has broken through the “three-dimension” and moved towards the “multi-dimension”, and paintings in various forms of expression emerge in endlessly. The traditional mode of artistic thinking no longer allows people to fully understand the essence of art. Photorealism, which originated in the United States in the 1970s, is still sought after by many artists, but there are also estheticians who have questioned this and they believe that photorealism suppresses the subjectivity of painters and is “pseudo art.” This paper takes the Chinese traditional aesthetic thought “bamboo syllogism” as a perspective to explain photorealism painting. Through comprehensive analysis and comparative research methods, this paper analyzes the photorealism painting, and explains it with case analysis method, and finally analyzes the “spirit” of the photorealism painting art.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Yaxun Liu
PY  - 2021
DA  - 2021/01/06
TI  - Observing the Photorealism Painting Through Zheng Xie’s “Bamboo Syllogism”
BT  - Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)
PB  - Atlantis Press
SP  - 158
EP  - 160
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210106.031
DO  - 10.2991/assehr.k.210106.031
ID  - Liu2021
ER  -