The Transmutation of Essence: The Evolution of Ang Lee’s Film Field

DOI

10.2991/assehr.k.210106.020How to use a DOI?

Keywords

Ang Lee’s film, image representation, film philosophy, field

Abstract

This paper takes the decomposition of the essence of Ang Lee’s film as the starting point of elaboration, and analyzes the iconic content that essence should contain from the perspective of film philosophy. Through the active exploration and subjective innovation of the essence of film and technology, and the in-depth exploration of the representation of the picture using the reconciliation theme that is full of east-west cultural collision and human ethics, it clarifies the evolutionary process and practical latitude of Ang Lee’s film field. Taking the field model of the fusion of bit and mind as a brand-new form and starting point, the paper also initiates questions and reflections on the future process and philosophical reconstruction of the film.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Jingwen Ji
PY  - 2021
DA  - 2021/01/06
TI  - The Transmutation of Essence: The Evolution of Ang Lee’s Film Field
BT  - Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)
PB  - Atlantis Press
SP  - 101
EP  - 104
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210106.020
DO  - 10.2991/assehr.k.210106.020
ID  - Ji2021
ER  -