Subjective Involvement in Record Photography

DOI

10.2991/icadce-17.2017.47How to use a DOI?

Keywords

record photography; subjective involvement

Abstract

The depth of subject matter of record photography is based on the principle of "from individual to group and from special to universal", and it mainly conducts intensive study of the relationship between people, people and society. Such evaluation on the basis of reality can be reflected in the photographer's cognition of society through his theme selection. Record is a means for making the visual transmission process of photography more real, but it can be reflected in different levels of reality: it can be the reality witnessed by the bystanders; or the reality of a participant; even the reality of own experience. The final property of reality will produce different results depending on the identity of the photographer and the degree of involvement in the event. This paper mainly explains the most central authenticity of record photography and record works generated in different times, summarizes the means of subjective control, and deeply discusses the authenticity of record photography under subjective control.

Copyright

© 2017, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Xiaozhou Li
PY  - 2017/05
DA  - 2017/05
TI  - Subjective Involvement in Record Photography
BT  - Proceedings of the 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017)
PB  - Atlantis Press
SP  - 205
EP  - 207
SN  - 2352-5398
UR  - https://doi.org/10.2991/icadce-17.2017.47
DO  - 10.2991/icadce-17.2017.47
ID  - Li2017/05
ER  -