New Illustration for Creating of the Orchid Pavilion of Yu Wenhua's Version from Aesthetic Perception

DOI

10.2991/icadce-16.2016.69How to use a DOI?

Keywords

the Orchid Pavilion; Yu Wenhua; aesthetic perspective; new comprehension

Abstract

The Orchid Pavilion, also called Xi Tie, was written in 353 AD the ninth year of Yonghe under the reign of Emperor Mu in East Jin Dynasty. It is a noted calligraphy that records astonishing scenes surrounding the Orchid Pavilion on Shanyin and the great joy of gathering to party. Meanwhile, it fully expresses thoughts of Wang Xizhi about the unexpected changes that would happen for human life and death. The Orchid Pavilion moves numerous Chinese descendents by its delicate content and refined writing system. Yu Wenhua combines this masterpiece with modern vocal music to create a special piece of musical work, which is also propagation for Chinese ethic calligraphy. This thesis analyzes the main ideology, the creating process and practical meaning of the Orchid Pavilion from the aspect of aesthetics.

Copyright

© 2016, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Guangzhuang Yu
PY  - 2016/05
DA  - 2016/05
TI  - New Illustration for Creating of the Orchid Pavilion of Yu Wenhua's Version from Aesthetic Perception
BT  - Proceedings of the 2016 International Conference on Arts, Design and Contemporary Education
PB  - Atlantis Press
SP  - 305
EP  - 308
SN  - 2352-5398
UR  - https://doi.org/10.2991/icadce-16.2016.69
DO  - 10.2991/icadce-16.2016.69
ID  - Yu2016/05
ER  -