Banyu Moto - ‘The Tears’ by Nella Kharisma Featuring Dory Harsa as Analyzed in the Context of Hyperreality

DOI

10.2991/assehr.k.210602.005How to use a DOI?

Keywords

Hyperreality, Disco-Dangdut, the Song Titled Banyu Moto (The Tears)

Abstract

This paper reviews the song titled Banyu Moto (the Tears) sung by Nella Kharisma featuring Dory Harsa in the context of hyperreality. The study aims to explore the benefits of hyperreality in the music creative industry in the postmodern era, especially for the popular disco-dangdut song titled Banyu Moto (the Tears). This research is a qualitative research using multimodality based on social semiotics. The study revealed that the video clip of Banyu Moto depicts two singers who are in a duet with a romantic song and passion. Their act seems real and is done to convince the audience that their video is about real-life love and is done with passion which would make the audience in the hyperreal context assume that what happens in the video is a reality. This study concludes that the song contains hyperreal elements as seen in the media of delivery to lever up the popularity of the song titled Banyu Moto and both singers, Nella Kharisma and Dory Harsa.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Jordy Mesakh
AU  - Susilo Pradoko
PY  - 2021
DA  - 2021/06/04
TI  - Banyu Moto - ‘The Tears’ by Nella Kharisma Featuring Dory Harsa as Analyzed in the Context of Hyperreality
BT  - Proceedings of the 4th International Conference on Arts and Arts Education (ICAAE 2020)
PB  - Atlantis Press
SP  - 25
EP  - 28
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210602.005
DO  - 10.2991/assehr.k.210602.005
ID  - Mesakh2021
ER  -