Semiotic Study in the Kirab of Tuk Si Bedug Traditional Ceremony

DOI

10.2991/assehr.k.210602.018How to use a DOI?

Keywords

Kirab Tuk Si Bedug, Lyotard’s Semiotics, the age of hyperrealist

Abstract

This study aimed to examine the signs in the Kirab of Tuk Si Bedug traditional ceremony in the current hyperreality age. Kirab is a part in the series of Tuk Si Bedug traditional ceremony at Margodadi village, Seyegan, Sleman. This study employed Jean Francois Lyotard’s semiotics which unravels fragmentations in a small narrative deeper, playing between language and art. This study also offers information on the facts behind the Kirab tradition in the millennial or current hyperreality age involving media to share information and consumptive behavior in the traditional ceremony.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Sherly Fransisca
AU  - Hajar Pamadhi
PY  - 2021
DA  - 2021/06/04
TI  - Semiotic Study in the Kirab of Tuk Si Bedug Traditional Ceremony
BT  - Proceedings of the 4th International Conference on Arts and Arts Education (ICAAE 2020)
PB  - Atlantis Press
SP  - 94
EP  - 99
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210602.018
DO  - 10.2991/assehr.k.210602.018
ID  - Fransisca2021
ER  -