Two Modern Performances of César Franck’s Violin Sonata: A Comparison Study of Daniel Rowland and Kirill Troussov

DOI

10.2991/978-2-38476-344-3_9How to use a DOI?

Keywords

Music; Volin; Piano; Performances; chamber music

Abstract

This paper compares two unique interpretations of César Franck’s Violin Sonata in A major by violinists Daniel Rowland and Kirill Troussov. The Franck Sonata requires expressive depth and technical challenges. Rowland’s casual and communicative style contrasts with Troussov’s formal and conservative approach to the music. Through the analysis of phrasing, bowing, and dynamics, this study explores how their distinct gestures and performance styles influence their reading of the piece, demonstrating the diversity in contemporary classical music interpretation.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Zhibin Yang
PY  - 2024
DA  - 2024/12/31
TI  - Two Modern Performances of César Franck’s Violin Sonata: A Comparison Study of Daniel Rowland and Kirill Troussov
BT  - Proceedings of the 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024)
PB  - Atlantis Press
SP  - 71
EP  - 78
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-344-3_9
DO  - 10.2991/978-2-38476-344-3_9
ID  - Yang2024
ER  -