The Visual Fusion Application of Occult Elements and Graphic Design

DOI

10.2991/978-2-38476-344-3_23How to use a DOI?

Keywords

Graphic Design; Occultism; Visual Communication; Mysticism

Abstract

With the improvement of human spiritual and cultural needs, artistic aesthetics has entered a diversified stage. People also tend to appreciate design works with more cultural connotations, spirituality and a high sense of generalization. Among them, occultism has attracted widespread attention. Graphic design, since it is a discipline that combines artistry and practicality, has also extracted and used elements from occultism. This article will conduct a theoretical study on the combination of mysticism and graphic design through literature analysis, case analysis and current situation analysis. The elements of mysticism have a strong symbolic meaning, which brings a heavy humanistic atmosphere and spirituality to graphic design and enhances the visual appeal of the work. At the same time, it condenses the cultural core of different fields and can bring cultural recognition to design works.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Songmin Li
PY  - 2024
DA  - 2024/12/31
TI  - The Visual Fusion Application of Occult Elements and Graphic Design
BT  - Proceedings of the 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024)
PB  - Atlantis Press
SP  - 193
EP  - 200
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-344-3_23
DO  - 10.2991/978-2-38476-344-3_23
ID  - Li2024
ER  -