Study on Chinese Freehand Figure Painting Development Context and Aesthetic Qualities

DOI

10.2991/essaeme-15.2015.36How to use a DOI?

Keywords

Freehand Figure Painting, Freehand Language, Historical Context, Artistic Aesthetics.

Abstract

Chinese freehand figure painting is an important part of the impressionistic landscapes, an important subcommittee besides bird freehand Chinese painting freehand painting. Figure Drawing formed through a long process of historical development, freehand figure painting also focused on the object by the early perceptual grasp the spiritual content of the development of both traits object and also stressed that the main focus on the performance of emotion, while stressing the ink material charm of its own process.

Copyright

© 2015, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Rong Ju
AU  - Zhaoyang Shao
PY  - 2015/10
DA  - 2015/10
TI  - Study on Chinese Freehand Figure Painting Development Context and Aesthetic Qualities
BT  - Proceedings of the 2015 International Conference on Economics, Social Science, Arts, Education and Management Engineering
PB  - Atlantis Press
SP  - 160
EP  - 163
SN  - 2352-5398
UR  - https://doi.org/10.2991/essaeme-15.2015.36
DO  - 10.2991/essaeme-15.2015.36
ID  - Ju2015/10
ER  -