The Missing Artistic Conception in Translating Chinese Classical Poems and Its Solutions

DOI

10.2991/emehss-18.2018.76How to use a DOI?

Keywords

The ancient Chinese poetry; translation; artistic conception: aesthetic study.

Abstract

Tthe artistic conception of ancient Chinese poetry is one of the main difficulties in poetry translation, and it is getting a hot debating topic for translators. Pro. Xu was inspired by other translators' theory and concluded his own practicing experience. Hence the Three Beauties theory was proposed. The Three Beauties theory refers to "beauty of sense, beauty of sound and beauty of form." The artistic conception missing has become a usual phenomenon. In order to solve this problem, this paper introduces Xu Yuanchong's three beauties theory. Thus it can demonstrate the feasible solution of avoiding artistic concept missing under the frame of aesthetic view. With demonstrating "the beauty in three aspects", this paper quotes some examples to make it clear that how the transference of aesthetic nature goes

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Zhihai Chen
AU  - Qingyan Li
PY  - 2018/03
DA  - 2018/03
TI  - The Missing Artistic Conception in Translating Chinese Classical Poems and Its Solutions
BT  - Proceedings of the 2nd International Conference on Economics and Management, Education, Humanities and Social Sciences (EMEHSS 2018)
PB  - Atlantis Press
SP  - 380
EP  - 384
SN  - 2352-5398
UR  - https://doi.org/10.2991/emehss-18.2018.76
DO  - 10.2991/emehss-18.2018.76
ID  - Chen2018/03
ER  -