Research on the Reference of Traditional Ink Painting Elements in Chinese Watercolor Painting

DOI

10.2991/978-2-38476-018-3_53How to use a DOI?

Keywords

Watercolor Painting; Chinese Painting; Reference; Fusion

Abstract

In today's art landscape, only some painting types can maintain their original state without absorbing other painting languages and exist alone. The commonality and mutual integration of different types of paintings make each easel painting absorb and learn from each other, presenting an eclectic and diversified development trend in the field of painting, which makes the personalized language form more room for development. Ink painting is China's national quintessence, with a long history and glorious achievements. The painting procedure of watercolor itself is becoming more and more incompatible with our current era, and it is insufficient in expressing the author's thoughts, emotions and will, so there are waves of experimental changes in watercolor painting one after another. Watercolor paintings from the West are integrated with traditional Chinese culture, forming an excellent example of combining Chinese and Western cultures. The elements of traditional Chinese painting have significantly impacted the creation of Chinese watercolor painting. The pursuit of artistic conception in the traditional painting makes watercolor painting more distinctive and forms a unique artistic outlook. This article compares and analyzes traditional Chinese ink painting and watercolor painting from multiple levels, trying to find the characteristics of the two and the possibility of combining them theoretically. In the further exploration of integrating Chinese brush and ink into watercolor painting, traditional factors have played an essential role in it, showing a unique artistic charm. This article intends to discuss the integration relationship with watercolor painting from various aspects, such as the historical background, technical level, and cultural theory.

Copyright

© 2023 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Ge Chen
PY  - 2023
DA  - 2023/03/01
TI  - Research on the Reference of Traditional Ink Painting Elements in Chinese Watercolor Painting
BT  - Proceedings of the 2nd International Conference on Culture, Design and Social Development (CDSD 2022)
PB  - Atlantis Press
SP  - 470
EP  - 476
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-018-3_53
DO  - 10.2991/978-2-38476-018-3_53
ID  - Chen2023
ER  -