Proceedings of the 4th Borobudur International Symposium on Humanities and Social Science 2022 (BIS-HSS 2022)

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Sangku as Indonesian Cultural Property

Authors
I Wayan Mudra1, *, I Nyoman Larry Julianto1, I P. Ketut Muka2, I Wayan Swandi1
1Design Study Program, Indonesian Arts Institute of Denpasar, Bali, Indonesia
2Craft Program Study, Faculty of Arts and Design, Indonesian Arts Institute of Denpasar, Bali, Indonesia
*Corresponding author. Email: wayanmudra@isi-dps.ac.id
Corresponding Author
I Wayan Mudra
Available Online 10 October 2023.
DOI
10.2991/978-2-38476-118-0_144How to use a DOI?
Keywords
Sangku; Culture; Ceremony; Holy water
Abstract

Sangku is known as a craft art property used in various regions of Indonesia according to the beliefs and culture of certain regions. Specifically, sangku has been used by the Balinese community for a long time. However, the material used as sangku has recently been renewed, taking into account the effectiveness of its use and current conditions. The paper aims to explain the shape, material, and function of sangku used in various regions of Indonesia. It is a sample study with a qualitative descriptive approach and both online and offline documentation techniques were used to gather the data. The research results revealed sangku with a cylindrical base and sangku made of clay, metal, or rock found in Indonesia. There is sangku applying regional cultural or plain ornaments. In addition, it also has diverse functions, e.g., as a place of holy water in Balinese Hindu ceremonies, as a container in Basarah ceremony called Sangku Tambak Raja by people of the Kaharingan Native Dayak Tribe of Borneo. According to the research findings, sangku is used as a container associated with religious ceremonies in Indonesia. The implication of this study is that researchers can inform the existence of sangku in Indonesia, which vary in shapes and materials.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 4th Borobudur International Symposium on Humanities and Social Science 2022 (BIS-HSS 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
10 October 2023
ISBN
978-2-38476-118-0
ISSN
2352-5398
DOI
10.2991/978-2-38476-118-0_144How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - I Wayan Mudra
AU  - I Nyoman Larry Julianto
AU  - I P. Ketut Muka
AU  - I Wayan Swandi
PY  - 2023
DA  - 2023/10/10
TI  - Sangku as Indonesian Cultural Property
BT  - Proceedings of the 4th Borobudur International Symposium on Humanities and Social Science 2022 (BIS-HSS 2022)
PB  - Atlantis Press
SP  - 1268
EP  - 1274
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-118-0_144
DO  - 10.2991/978-2-38476-118-0_144
ID  - Mudra2023
ER  -