Proceedings of the 4th Annual International Conference on Language, Literature and Media (AICOLLIM 2022)

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Women’s Emancipation in Hanung Bramantyo’s Kartini Film: Naomi Wolf’s Feminist Perspective

Authors
Dien Nur Chotimah1, *, Mellinda Raswari Jambak1, Moh Zawawi1, Munjiyat Munjiyat2
1Maulana Malik Ibrahim State Islamic University of Malang, Malang, Indonesia
2Muhammad V University, Rabat, Morocco
*Corresponding author. Email: zinedien@bsa.uin-malang.ac.id
Corresponding Author
Dien Nur Chotimah
Available Online 14 March 2023.
DOI
10.2991/978-2-38476-002-2_11How to use a DOI?
Keywords
Film; Kartini; Feminism; Naomi Wolf
Abstract

Women are closely related to the word feminism. Women are very interesting to study, because women have a very important role. Likewise with documentaries that talk about emancipation. This study aims to describe the reality of women’s lives during the Dutch colonial period, as well as their relationship with feminism in the perspective of Naomi Wolf. Naomi Wolf is a feminist figure who speaks out loud about women’s rights and gender justice. This research method is descriptive qualitative with Naomi Wolf’s feminist approach model. The object of this research is the film Kartini by Hanung Bramantyo. The source of research data is documentary data or dialogue in the Kartini film. The data in this study were obtained from the Listening and Recording Techniques. Data analysis was carried out by synchronizing data with Naomi Wolf’s feminist theory. The results of this study are the existence of feminist thought movements from Naomi Wolf’s perspective which include (1) women and the way of life, (2) women’s emancipation movement, (3) women and the expression of truth, (4) women and the principles of life, (5) ideas for women and girls. Women, (6) women’s human rights and (7) the rise of women’s education. This research is important to do so that gender inequality that occurred during the Dutch colonial period does not happen again today.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 4th Annual International Conference on Language, Literature and Media (AICOLLIM 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
14 March 2023
ISBN
10.2991/978-2-38476-002-2_11
ISSN
2352-5398
DOI
10.2991/978-2-38476-002-2_11How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Dien Nur Chotimah
AU  - Mellinda Raswari Jambak
AU  - Moh Zawawi
AU  - Munjiyat Munjiyat
PY  - 2023
DA  - 2023/03/14
TI  - Women’s Emancipation in Hanung Bramantyo’s Kartini Film: Naomi Wolf’s Feminist Perspective
BT  - Proceedings of the 4th Annual International Conference on Language, Literature and Media (AICOLLIM 2022)
PB  - Atlantis Press
SP  - 103
EP  - 113
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-002-2_11
DO  - 10.2991/978-2-38476-002-2_11
ID  - Chotimah2023
ER  -