Hyperreality in Surat Cinta Untuk Kartini’s Film

DOI

10.2991/soshec-18.2018.55How to use a DOI?

Keywords

hyperreality; reality simulation; fantasy

Abstract

Film is the most perfect simulation and hyperreality media. Through the film, reality of the past was presented by aligning between reality and illusion and fantasy. This study aims at determining the hyperreality in the film Surat Cinta untuk Kartini. Theoretically, this study is a contribution to the development of literature, especially those related to postmodernism theory. Practically, this study can be used as a reference for similar research. This study uses a sequential and detailed analysis, resulting in accurate and reliable research. Based on the discussion, it draws a line that hyperreality is presented through the representation of fantasy about Kartini and the postman. Such hyperreality is presented by the actor's similarity to Rangga and Sarmadi figures, a simulation of past reality, and the use of language in communication. Based on the discussion, it was concluded that Surat Cinta untuk Kartini used hyperreality in addition to the historical reality.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Asri Bariqoh
AU  - Setya Yuwana Sudikan
AU  - Endang Surachni
PY  - 2018/07
DA  - 2018/07
TI  - Hyperreality in Surat Cinta Untuk Kartini’s Film
BT  - Proceedings of the 2nd Social Sciences, Humanities and Education Conference: Establishing Identities through Language, Culture, and Education (SOSHEC 2018)
PB  - Atlantis Press
SP  - 253
EP  - 256
SN  - 2352-5398
UR  - https://doi.org/10.2991/soshec-18.2018.55
DO  - 10.2991/soshec-18.2018.55
ID  - Bariqoh2018/07
ER  -