A Study on the Aesthetic Value and Innovation of Zhoushan Dialect Folk Songs

DOI

10.2991/icpcs-19.2019.81How to use a DOI?

Keywords

Wu dialect, aesthetics, folk songs, innovation

Abstract

From time immemorial, the south of the Yangtze is renowned as the land of fish and rice. Moreover, the language popularly spoke at this area, Wu dialect, featuring with primitive, elegant and exquisite, has a long history of culture. Based on Wu dialect, folk songs in the south of the Yangtze play a crucial role in the family of Chinese folk songs. As one branch of Wu dialect folk songs, traditional Zhoushan folk songs own extraordinarily distinctive characteristics, with Zhoushan fishermen’s songs and work chanty as their typical representatives. Contemporarily, during the protection, inheritance, and promotion of these precious intangible cultural heritage, it would be a favorable way to grasp the essence of folk songs in the south of the Yangtze, bring the Wu dialect’s superiority into full play, and re-create as an elegant art.

Copyright

© 2019, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Fangzhi Tao
PY  - 2019/05
DA  - 2019/05
TI  - A Study on the Aesthetic Value and Innovation of Zhoushan Dialect Folk Songs
BT  - Proceedings of the 2019 International Conference on Pedagogy, Communication and Sociology (ICPCS 2019)
PB  - Atlantis Press
SP  - 367
EP  - 370
SN  - 2352-5398
UR  - https://doi.org/10.2991/icpcs-19.2019.81
DO  - 10.2991/icpcs-19.2019.81
ID  - Tao2019/05
ER  -