Proceedings of the 3rd International Conference on Language, Communication and Culture Studies (ICLCCS 2022)

The Image of China in a Chinese Chrestomathy in the Canton Dialect by Elijah Coleman Bridgman

Authors
Haizhen Liang1, *
1Macau University of Science and Technology, Macau, 999087, China
*Corresponding author. Email: 1909853gut30003@student.must.edu.mo
Corresponding Author
Haizhen Liang
Available Online 10 December 2022.
DOI
10.2991/978-2-494069-27-5_38How to use a DOI?
Keywords
Missionary; The image of China; Textbook; Macau
Abstract

Macau became a critical spot because of the maritime embargo policy during the 19th century in ancient China. Many missionaries came to Macau not only to preach but also for further visiting mainland Chinese. So it’s significant to know how the apostles start their missionary work and learning Chinese in Macau? What the China look like and whether it can be told the real appearance of the China at that time? This article is talking about the image of China created by Elijah Coleman Bridgman based on his book called A Chinese Chrestomathy in the Canton Dialect, which was published in the 19th century in Macau. Using a textbook as researching material can show the real image created by the author. The result shows that people from western countries considered that people in China are rich, hard-working, self-restrained, and care much about relationships. Whether the image in the book could perfectly match the reality in the 19th century? Different historical materials help to support the real image created by Elijah Coleman Bridgman. Finally, not only missionaries can learn Chinese and Chinese culture from the textbook, but also scholars can study the history of the 19th century through it.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 3rd International Conference on Language, Communication and Culture Studies (ICLCCS 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
10 December 2022
ISBN
10.2991/978-2-494069-27-5_38
ISSN
2352-5398
DOI
10.2991/978-2-494069-27-5_38How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Haizhen Liang
PY  - 2022
DA  - 2022/12/10
TI  - The Image of China in a Chinese Chrestomathy in the Canton Dialect by Elijah Coleman Bridgman
BT  - Proceedings of the 3rd International Conference on Language, Communication and Culture Studies (ICLCCS 2022)
PB  - Atlantis Press
SP  - 352
EP  - 362
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-494069-27-5_38
DO  - 10.2991/978-2-494069-27-5_38
ID  - Liang2022
ER  -