Proceedings of the 2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)

Interpretation of the protagonist image in Jiefuyin and analysis and comparison of the similarities and differences with the protagonist image in Moshangsang and Yulinlang

Authors
Yijia Liu1, *
1College of Computing, Tongda College of Nanjing University of Posts and Telecommunications, Yangzhou, Jiangsu, 221527, People’s Republic of China
*Corresponding author. Email: LiuYijia19991026@outlook.com
Corresponding Author
Yijia Liu
Available Online 31 December 2023.
DOI
10.2991/978-2-38476-170-8_41How to use a DOI?
Keywords
jiefuyin; Moshangsang; yulinlang; Jiefu
Abstract

The purpose of this paper is to explore the shaping of the protagonist image in “Jiefuyin”. Through the comparison and interpretation with “Mo Shang Sang” and “Yu Lin Lang”, this paper analyzes the similarities and differences of the protagonist image, and discusses the definition of “Fidelity”. The research method used in this paper is literature analysis. The images of “envoy” in the three poems are different. In “Mo Shang Sang”, they are casual and contemptuous. In “Yu Lin Lang”, they are arrogant and arrogant, but in “Jie Fu Yin”, they are polite and sincere. The different attitudes of “gentleman” have a direct impact on the attitude of the women in the poetry. Luo Fu in Mo Shang sang refused sternly, Hu Ji in Yu Lin Lang scolded fiercely, while the protagonist in Jie Fu Yin expressed her sincere gratitude after refusing. The deep reason can be traced back to the different attitudes towards women in the feudal society of the Han and Tang Dynasties. The differences in poetry and prose also reveal the differences in the definition of “Jiefu” in the eyes of the public in the two dynasties. Even though she had feelings for her gentleman, the woman in “Jie Fu Yin” finally adhered to her morality and achieved the universal sense of “Fidelity”.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 December 2023
ISBN
10.2991/978-2-38476-170-8_41
ISSN
2352-5398
DOI
10.2991/978-2-38476-170-8_41How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Yijia Liu
PY  - 2023
DA  - 2023/12/31
TI  - Interpretation of the protagonist image in Jiefuyin and analysis and comparison of the similarities and differences with the protagonist image in Moshangsang and Yulinlang
BT  - Proceedings of the  2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)
PB  - Atlantis Press
SP  - 368
EP  - 373
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-170-8_41
DO  - 10.2991/978-2-38476-170-8_41
ID  - Liu2023
ER  -