Proceedings of the 2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)

Analysis of the “reversal” Phenomenon of Male and Female Gender Language and Stereotypes in Film and Television under the “Principle of Politeness”

Take “Everything Everywhere All at Once” as an Example

Authors
Jing Zhang1, *
1Sichuan Normal University, Chengdu, 610066, China
*Corresponding author. Email: 2021040656@stu.sicnu.edu.cn
Corresponding Author
Jing Zhang
Available Online 31 December 2023.
DOI
10.2991/978-2-38476-170-8_20How to use a DOI?
Keywords
gender language differences; principle of politeness; femininity
Abstract

With the feminist movement and the development of feminist theory, the gender language differences and gender temperament of modern men and women have changed greatly compared with traditional stereotypes. Inclusiveness has also increased. In recent years, the portrayal of female and male characters in movies has also reflected this change. There are even phenomena of gender language differences between men and women and gender temperaments “reversing” each other. The heroine’s and her husband’s shaping in “The Transient Universe” manifest this phenomenon. This study examines the portrayal of female and male characters in the movie “The Transient Universe” and explores the phenomenon of gender language differences and reversed gender temperaments. Through analyzing the language and personality characteristics of the heroine and her husband, as well as people’s reactions, it becomes evident that the heroine exhibits characteristics more aligned with “masculinity” and “masculine language,” while her husband displays contrasting qualities. The film portrays a certain level of acceptance towards these characteristics, reflecting the trend of social aesthetic diversification and the breaking of traditional stereotypes.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 December 2023
ISBN
978-2-38476-170-8
ISSN
2352-5398
DOI
10.2991/978-2-38476-170-8_20How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Jing Zhang
PY  - 2023
DA  - 2023/12/31
TI  - Analysis of the “reversal” Phenomenon of Male and Female Gender Language and Stereotypes in Film and Television under the “Principle of Politeness”
BT  - Proceedings of the  2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)
PB  - Atlantis Press
SP  - 195
EP  - 202
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-170-8_20
DO  - 10.2991/978-2-38476-170-8_20
ID  - Zhang2023
ER  -