Proceedings of the 2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)

The Rise of Art Exhibitions and Their Value for Social

Aesthetic Education in the Republic of China

Authors
Jia Zhong1, *, Shaozong Hu1
1Huanggang Normal University, Xingang 2Nd Road, Huangzhou District,, Huanggang City, Hubei Province, 438000, China
*Corresponding author. Email: 1341090530@qq.com
Corresponding Author
Jia Zhong
Available Online 31 December 2023.
DOI
10.2991/978-2-38476-170-8_88How to use a DOI?
Keywords
in the Republic of China; art exhibitions; social; aesthetic education
Abstract

In China, art exhibitions in the modern sense began to flourish in the late Qing Dynasty and the beginning of the Republic of China. The publicized and socialized nature of such art exhibitions broke the phenomenon of Chinese Traditional Fine Arts being s among the upper classes. It allowed ordinary people to enjoy the opportunity to appreciate works of art. This art-culture trend was the precursor of social, aesthetic education, and public aesthetic education in the Republic of China. Taking the folk art exhibition activities of the Republic of China between 1912 and 1937 as an object, this paper the developing context of art exhibition activities and mechanisms during this period and divides them into four periods in light of the purpose and nature of the exhibitions: 1912–1918——the period when displays came into the public life; 1919–1928——the period of development of collections; and 1929–1937——maturity period marked by the emergence of the exhibition mechanism; and 1937–1949——innovation stage of “saving the country with art exhibitions.“ On this basis, it attempted to explore the social and aesthetic value generated by art exhibitions in different periods of the Republic of China in a social and cultural context.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 December 2023
ISBN
10.2991/978-2-38476-170-8_88
ISSN
2352-5398
DOI
10.2991/978-2-38476-170-8_88How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Jia Zhong
AU  - Shaozong Hu
PY  - 2023
DA  - 2023/12/31
TI  - The Rise of Art Exhibitions and Their Value for Social
BT  - Proceedings of the  2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)
PB  - Atlantis Press
SP  - 780
EP  - 789
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-170-8_88
DO  - 10.2991/978-2-38476-170-8_88
ID  - Zhong2023
ER  -