Proceedings of the 4th International Conference on Language, Art and Cultural Exchange (ICLACE 2023)

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Coloratura Singing of Cleopatra in Giulio Cesare: Functional Analysis with Instrumentalization

Authors
Ziye Yang1, *
1College of Art and Media, Tongji University, Shanghai, China
*Corresponding author. Email: 2050497@tongji.edu.cn
Corresponding Author
Ziye Yang
Available Online 29 August 2023.
DOI
10.2991/978-2-38476-094-7_21How to use a DOI?
Keywords
Cleopatra in Giulio Cesare; Natalie Dessay; coloratura style
Abstract

It is known to all that within the opera, the application of coloratura is one of the highlights which wins applause from the audiences, in the history of Arias coloratura also plays an important role. Nevertheless, this article would focus on other functions of coloratura, for it not only pleases the audiences but also provides chances for singers to show their outstanding abilities to master the voice thus creating different versions of legendary performances. Additionally, it works for the emotions an author wants to carry in some particular scenes in a drama. Last but not the least, coloratura provides additional acoustic impacts for the final presentation of an opera and at the same time, special treatments of the orchestra must be adopted, which is significant for the abundance of acoustic effects in arias. The article takes the arias of Cleopatra from Giulio Cesare as examples, explaining the characteristics of coloratura singing in terms of vocals and orchestra, and using the audio version of part of the arias of Cleopatra from Giulio Cesare sung by singer Natalie Dessay to introduce how singer Natalie Dessay expresses this work The treatment of the cantus firmus and its characteristics.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 4th International Conference on Language, Art and Cultural Exchange (ICLACE 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
29 August 2023
ISBN
10.2991/978-2-38476-094-7_21
ISSN
2352-5398
DOI
10.2991/978-2-38476-094-7_21How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Ziye Yang
PY  - 2023
DA  - 2023/08/29
TI  - Coloratura Singing of Cleopatra in Giulio Cesare: Functional Analysis with Instrumentalization
BT  - Proceedings of the 4th International Conference on Language, Art and Cultural Exchange (ICLACE 2023)
PB  - Atlantis Press
SP  - 178
EP  - 186
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-094-7_21
DO  - 10.2991/978-2-38476-094-7_21
ID  - Yang2023
ER  -