The Spiritual and Moral Dimension of Modern Theatre The Philosophical and Linguistic Analysis of Rhapsody for the Theatre by A. Badiou

DOI

10.2991/iccese-18.2018.286How to use a DOI?

Keywords

theatre; culture; politics; state; A. Badiou

Abstract

The paper investigates the problems of interconnection between performing arts, politics and the machinery of state, based on works of the famous French philosopher-post-modernist A. Badiou. The analogy between theatre and politics, proposed by him, analyzed when applied to Russian culture and interaction with political realia of past and present. An attempt is made to compare politics and theatre as phenomena that have much in common from the conceptual, structural and functional points of view. The paper also brings up the problem of the status and the role of a person and a society at large as components of creative process, some aspects concerning the extent of influence that theatre makes on both individual consciousness and collective thinking and their view of the world.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Ruzana Pskhu
AU  - Anna Martzeva
AU  - Nadezhda Danilova
AU  - Galina Zashchitina
PY  - 2018/03
DA  - 2018/03
TI  - The Spiritual and Moral Dimension of Modern Theatre The Philosophical and Linguistic Analysis of Rhapsody for the Theatre by A. Badiou
BT  - Proceedings of the 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018)
PB  - Atlantis Press
SP  - 1293
EP  - 1296
SN  - 2352-5398
UR  - https://doi.org/10.2991/iccese-18.2018.286
DO  - 10.2991/iccese-18.2018.286
ID  - Pskhu2018/03
ER  -