An analysis of the Value of Chinese Art Songs during the May Fourth Period

DOI

10.2991/iccese-18.2018.141How to use a DOI?

Keywords

May Fourth Period; Chinese art songs; style of music

Abstract

In 1919, the "May fourth" new cultural movement came into being. This period coincided with the confrontation between the new and old culture of China. During this period, Chinese modern music culture began to develop gradually, and the musicians represented by Jinhui Li, Yuanren Zhao, Youmei Xiao and Zi Huang emerged. Their music creation symbolized that the history of Chinese music entered a new historical stage. They combine classical romantic musical expression with Chinese folk music materials to create a large number of representative works of excellent music. These artistic songs reflect the spirit of the "May Fourth movement" and express the requirements of people's pursuit of progress, marking the progress and development of modern Chinese culture, creating a new prospect of Chinese art songs.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Qilong Shi
PY  - 2018/03
DA  - 2018/03
TI  - An analysis of the Value of Chinese Art Songs during the May Fourth Period
BT  - Proceedings of the 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018)
PB  - Atlantis Press
SP  - 618
EP  - 619
SN  - 2352-5398
UR  - https://doi.org/10.2991/iccese-18.2018.141
DO  - 10.2991/iccese-18.2018.141
ID  - Shi2018/03
ER  -