Aesthetic Reflection of Neutral Tone of National Mode in Accordion Music Composition Taking Dai People’s Water-splashing Festival as an Example

DOI

10.2991/icassee-18.2018.149How to use a DOI?

Keywords

accordion; neutral tone; national mode; formal aesthetics

Abstract

In the 1960s and 1970s, more excellent works with the basis of mass social music culture were presented under the condition of concentrating on the composition of national traditional style. It is on the premise of such rich and productive composition that the author observes the relevant style of accordion music works and finds that polyphonic technique "neutral tone" is widely used in the composition of elements of national music. Therefore, the author tries to infer the expression position of "neutral tone" by analyzing the melody in the works, and further explain the use of this technique in national mode melody and how to embody the sound effect principle of national music in formal aesthetics.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Rong Xing
PY  - 2018/12
DA  - 2018/12
TI  - Aesthetic Reflection of Neutral Tone of National Mode in Accordion Music Composition Taking Dai People’s Water-splashing Festival as an Example
BT  - Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018)
PB  - Atlantis Press
SP  - 741
EP  - 745
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-18.2018.149
DO  - 10.2991/icassee-18.2018.149
ID  - Xing2018/12
ER  -