The Epic of “Gesar” from the Perspective of Ecological Aesthetics Taking "No Self" and "Ecological Big Self" as an Example

DOI

10.2991/icassee-18.2018.54How to use a DOI?

Keywords

ecological aesthetics; gesar epic; unself; ecological ego

Abstract

Gesar epic has a rich ecological aesthetic concept with unique value and charm. The interpretation of this concept, which is full of ecological aesthetic wisdom, is not only the development of Chinese national ecological aesthetics, but also lays a more solid foundation for the equal dialogue between Chinese and Western aesthetics,which makes Chinese ecological aesthetics better towards the colorful civilized world. From the perspective of Tibetan Buddhism, this paper deeply analyzes the profound influence of the concept of "no self" and "ecological great self" on the epic of "Gesar", in order to better understand the "Earthundefineds third pole" born in the field of "Gesar" epic and the ecological aesthetic concept contained in this epic.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Juntao Wang
PY  - 2018/12
DA  - 2018/12
TI  - The Epic of “Gesar” from the Perspective of Ecological Aesthetics Taking "No Self" and "Ecological Big Self" as an Example
BT  - Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018)
PB  - Atlantis Press
SP  - 258
EP  - 264
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-18.2018.54
DO  - 10.2991/icassee-18.2018.54
ID  - Wang2018/12
ER  -