Mikhail Larionov and Roger Fry: to the History of Sergei Diaghilev's Ballets Russes in England in Late 1910s

DOI

10.2991/icassee-18.2018.2How to use a DOI?

Keywords

Mikhail Larionov; Roger Fry; Sergei Diaghilev; Ballets Russes; national art

Abstract

The following article deals with how Sergei Diaghilev’s Ballets Russes enterprise was perceived in England after the First World War, with a focus on ballets choreographed by Leonide Massine and designed by Mikhail Larionov. Larionov’s collage Homage to Roger Fry (1919, Victoria & Albert Museum, London) served as a point of departure in this research [1]. The history of this work and its possible interpretations are of interest not only in themselves: the context in which the Homage appeared had to do with the specifics of Diaghilev’s ballets of the second postwar period, which turned out to be in line with relevant problems of British criticism and art of the second half of the 1910s.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Ekaterina Vyazova
PY  - 2018/12
DA  - 2018/12
TI  - Mikhail Larionov and Roger Fry: to the History of Sergei Diaghilev's Ballets Russes in England in Late 1910s
BT  - Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018)
PB  - Atlantis Press
SP  - 6
EP  - 13
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-18.2018.2
DO  - 10.2991/icassee-18.2018.2
ID  - Vyazova2018/12
ER  -